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Weirotter, Franz Edmund (Innsbruck 1730 – Vienna 1771). At Civita Vecchia. The naval and marine port with rich ship and boat scenery, with and without made sails. In front left full sacks are carried over a landing-stage from a magazine to a boat. Further port installations on the far shore at the feet of the Monti di Tolfa. Etching. Inscribed in German: 3 / (drawn by F. E. Weirotter in the ship at Civita Vecchia in the Contumaz) and by old Hand “Civita Vecchia”. 15 x 22 cm.

Nagler 7, 3. – INSTRUCTIVE  SHEET . – “(The harbour contains considerable shipyards, an arsenal built by Bernini, 1598-1680, and magazines)” (Meyer’s Convers.-Lex., 4^th ed., IV, 151).

With Weirotter the landscape etching experienced a fine culmination and in 1766 Schmutzer, then director of the Vienna Academy, recommended Maria Theresa the appointment to the academy of the still young artist to take over the landscape subject there. According to Schmutzer’s report for the empress the artist in his mid-thirties made

The suggestion was accepted immediately by the Privy Council, because Weirotter otherwise “already would have a call to Saxony in hands”. But at his much too early death “his complete artistic bequest found no market in Vienna; it left to Paris. Connoisseurs and friends of his sheets

(ADB XLI [1896], 520 f.),

whereby he “developed a truly astonishing activity on both the fields assigned to him (in Vienna), the landscape drawing and the etching,

and  has  given  impetuses  influencing  still  today ”

(Thieme-Becker XXXV [1942], 309, quoting Lützow).

His whole ability is reflected by the works after  own  invention as here. His admiration with the contemporaries follows from letters by and to Wille as the German art pope residing in Paris. So Winckelmann on occasion of Weirotter’s stay in Rome “Mister Weirotter has made me … a present with own works,

which  I  reckon  among  the  best  of  the  kind

… This young artist will be a credit to his native country”. And in glance backward at the preceded Paris period of training with Wille (1759/63) this to Hagedorn in Dresden “He is so completed with drawing that his drawings look far more effortless then his paintings”. And as collector the Leipsic banker Gottfried Winckler “I have no doubt, that Mr.

Weirotter  will  deliver  to  us  many  beautiful  after  the  Italian  journey ”.

Quoted after Decultot and others as editors, Wille Correspondence, Tübingen 1999, pp. 314, 316, 318, each from 1764.

“ Weirotter – so Gerson, (Spread and Aftereffect of the Dutch Painting of the 17^th Century, 2^nd ed., 1983, p. 338 – worked also after P. Molijn, Jan van Goyen, Aert van der Neer – and Dietricy.

His  own  inventions  are  correspondingly  Dutch . ”

Offer no. 28,523 / EUR  187. (c. US$ 262.) + shipping